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Does 'Paranormal Activity' Deserve a Best Picture Nomination?
Filed under: Awards, Mystery & Suspense, Fandom, Oscar Watch
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The Indie Spirit Awards announced their nominations this morning, honoring a whole bunch of films that were only seen by film critics, artsy intellectuals and/or people who accidentally walked into the wrong theater while on their way to watch Transformers: Revenge of the Fallen. I kid, of course, because if it wasn't for shows like the Spirit Awards, a number of really great independent films (and performances) would probably go unnoticed. So I command you to check out the list of nominees after the jump and start tracking them down one by one (either in theaters or on DVD). Go! Now!
This year's crop of nominees is definitely stirring the pot a little bit. Surprises include Maria Bello for Best Female Lead in Downloading Nancy, a film that all of about one person (me!) actually enjoyed. 500 Days of Summer also took home a couple nods for Best Feature and Best Male Lead (Joseph Gordon-Levitt), and even the viciously panned Gentlemen Broncos walked away with a nod for Best Supporting Male (Jermaine Clement). One of the more interesting (and talked-about) nominations went to Paranormal Activity in the Best First Feature category, alongside other notable indies like A Single Man, Crazy Heart, Easier with Practice and The Messenger.
But does Paranormal Activity really belong there, or is it being honored more because of what it achieved at the box office versus how good it actually is? I've seen some already poking fun at the nomination on Twitter, as if it doesn't deserve to shine the shoes of the other films listed alongside it. But is that just because it doesn't fit the 'Best Picture" mold? Is it because it's become a "fanboy" film?
Scenes We Love: L.A. Confidential (Again!)
Filed under: Action, Classics, Noir, Mystery & Suspense, Scenes We Love
It's the most wonderful time of the year! The time of year when I watch L.A. Confidential a dozen times because "It's Christmassy!", complain that it didn't win Best Picture, and fall in love with Russell Crowe and Guy Pearce all over again. It's not as if I don't watch this at any other time of the year, but this film is like my holiday heroin. It's the perfect antidote to the holly and the ivy. Yeah, I posted a scene from it earlier this year, but as its been taken down by YouTube, I figured I'd post another in honor of the upcoming holidays. There's not a lot of scenes available (my favorite Rollo Tomasi moment still eludes me), but luckily one of the reader favorites was up for grabs. So, today's Scene We Love is indeed a scene we all love: "She is Lana Turner."
It's also good timing, as this week we finally get to see a glimpse of Pearce in The Road. It's another one of those maddening cameos he likes to tease us with (no spoiler intended, it's just a fact), and I constantly wish he'd take bigger and more high profile roles. A Bedtime Stories is all well and good, and I have great hopes for Don't Be Afraid of the Dark, but I long for him to land another role like Lt. Ed Exley.
Go below the jump for the scene
Tommy Lee Jones Ditches Matthew McConaughey's 'Lincoln'
Filed under: Drama, Thrillers, Mystery & Suspense, DIY/Filmmaking, Newsstand
A mere month ago, it seemed like Michael Connelly's The Lincoln Lawyer was set for a top notch adaptation thanks to the arrival of Tommy Lee Jones. Jones was interested in directing and costarring in the film, which gave us all hope that he could help makeover Matthew McConaughey into something serious and shirt wearing. But alas, it's not to be. Variety reports that Jones has departed The Lincoln Lawyer, leaving it idling and spitting fumes.Jones departed for that vague and all-encompassing reason "creative differences." Variety reports that he had issues with John Romano's script, and neither Jones nor Lakeshore Entertainment were willing to budge. The studio is currently on the hunt for a new director, and hopes to be shooting by spring.
So, feel free to speculate on just what script issues there might have been. I know we have some Connelly fans who were looking forward to this, and who know more about the book than I do. Given that it is a star vehicle for McConaughey, and the character is a bit of a legal freewheeler, I wonder if the script is more of a comedic departure from the book. We've cracked a lot of jokes about bongo drums and shirtlessness, but could that actually have been what Jones departed over? It's sleazy and easy to jump to that conclusion, and I can't really believe a Connelly book could be adapted into Fool's Gold. But this is Hollywood. Stranger things have happened.
Who Will Be The Crow?
Filed under: Action, Drama, Casting, Mystery & Suspense, Fandom, Remakes and Sequels
Oh, The Crow! I loved you so! I had the poster, the comic book by James O'Barr, the T-shirt, and the unrequited crush on Brandon Lee, whose tragic death only fanned the flames of my teenage desire. I even went to see the sequel, The Crow: City of Angels, which featured the spectacularly bad line, "F*ck you, bird d*ck!" uttered by none other than Iggy Pop. (I did, however, forget to light a candle for its 15th anniversary earlier this fall. Sniff.)As previously reported, there is a relaunch being written by Stephen Norrington, who will also direct, that might not even include Eric Draven, the main character (sacre bleu!). The last time that Norrington took a crack at directing a beloved comic book was the 2003 stinker The League of Extraordinary Gentlemen, but as io9.com reported, so far the script is getting good reviews. Meredith Woerner at io9.com coaxed some details from producer Ryan Kavanaugh (Nine, Brothers, Zombieland), and while he wouldn't reveal which actor is going to be smearing himself with makeup to wreak vengeance on those who violated and murdered his beloved, he did say it will be "a whole relaunch of the franchise, much more of a dark superhero type" and starring an already-established actor.
Michael Fassbender Goes From One Bronte To the Next
Filed under: Classics, Drama, Independent, Romance, Casting, Mystery & Suspense, Focus Features, Newsstand
The Brontes are all the rage for adaptation right now. It's undoubtedly due to Edward and Bella bestowing their favor on Wuthering Heights, and had they chosen Great Expectations, perhaps we'd see Dickens adaptations flinging themselves to the big screen. I love corsets and cravats, so I'm not going to complain, and I'm certainly not going to whine if Cary Fukunaga gets this cast for Jane Eyre. Variety is reporting that Michael Fassbender and Mia Wasikowska are in talks to play Jane and Rochester for Fukunaga, and oh, how torrid it would be!This is actually the second time Fassbender has circled a Bronte adaptation. Last May, he was said to be in talks for Wuthering Heights, but Ed Westwick stepped into that particular waistcoat. It's a shame. I think Fassbender would have made an excellent Heathcliff, and may have been the first one to actually snarl, bang his head against a tree, and slap people convincingly. But he will make a very simmering Rochester, and is the only actor who could top Toby Stephens' wonderful turn in 2006.
Wasikowska is still a bit of a dark horse. She's becoming one of those much-discussed names, but most of us have yet to really meet her until Tim Burton's Alice in Wonderland hits theaters. She's very pretty, but is just "ordinary" (if that doesn't sound too terrible) enough to fit the part of plain Jane, and as an Aussie, she'll be able to turn on an English accent better than Ellen Page. If this is the Jane Eyre that makes it to the screen, I'll be happy. Let the eerie screams, mysterious fires, and lingering looks commence.
Scenes We Love: Miller's Crossing
Filed under: Classics, Noir, Mystery & Suspense, Scenes We Love
In the Great Coen Debates that occur among film fans, there's one that I never feel gets enough love: Miller's Crossing. It's probably my favorite next to The Big Lebowski. The film is deliciously dark and dreary (you can watch this in summer and still feel cold), but punctuated by that startling Coens humor. The dialogue and character quirks are not as exaggerated as they are in other Coen films, and when a character does get theatrical, it's appropriate to the setting. These are thugs who find themselves in positions of great wealth and power, after all, and they'll never know quite how to behave in the real world.
The film has a level of tension I don't think the Coens matched until No Country For Old Men. Tom's white-knuckle walk into Miller's Crossing is probably my favorite scene (actually, it's difficult to pick just one), but it doesn't appear to be on YouTube. So, here's another moment of violence that just doesn't go the way you think it will, and features the best use of Danny Boy in history. I really want to believe that the gramophone is a nod to Sean Connery's death scene in The Untouchables, but I suspect it's a noir standard that ushered many a mobster and cop into his grave.
Review: The Box
Filed under: Sci-Fi & Fantasy, Thrillers, Mystery & Suspense, Warner Brothers, Theatrical Reviews
Richard Matheson's original short story, "Button, Button," was a nifty little morality tale about a couple faced with a peculiar opportunity -- if they push a button in a box, they'll get a sum of money but kill a stranger in doing so. That version of the story ended with the wife pushing the button and killing her husband, a man she didn't really know. As an episode of "The Twilight Zone" in 1986, the story ended with the couple paid off and assured that the device would then go to another couple to whom they qualify as strangers. Now, Richard Kelly's The Box takes that same basic premise and spins it into a mind-bender of the most baffling degree, starting out as another "Twilight Zone"-worthy variant but eventually reaching the outer limits of both patience and reason.
Discuss: Which Trailers Are You Sick Of?
Filed under: Action, Comedy, Drama, Mystery & Suspense, Paramount, Focus Features, George Clooney, Trailers and Clips
I'm grateful for this Friday, because that's the day that The Men Who Stare at Goats comes out and I can stop seeing its trailer relentlessly attached to anything and everything I see (and given that I try to see most anything and everything out there, it's really only a 'me' problem, I suppose). One night, I had myself a triple feature and saw the preview not one, not two, but three times; as a pal put it, he had "more than a feeling" that I was getting sick of it.Before that, it was a summer of Taking Woodstock time and time again, and it would already seem that Shutter Island's move to February will insure that I'll be sitting there, trying to piece the thing together for the next three months when not perfecting my New England Leo impersonation.
So, whether currently or in your own formative years, what trailers have you been just absolutely burnt out on? Did you and your friends quote along with them as they played? Were you actually ever turned off from seeing a film because you had it advertised to you too much? Come on, let it all out...
'Moon' and 'Fish Tank' Lead BIFA Nods
Filed under: Comedy, Drama, Independent, Romance, Sci-Fi & Fantasy, Awards, Mystery & Suspense, IFC, Sony Classics, Fantastic Fest, Oscar Watch
Fall brings with it awards season, and among our first round of nominations are those of the British Independent Film Awards. According to Empire, Andrea Arnold's acclaimed Fish Tank took the lead with eight, while Duncan Jones' similarly lauded Moon came up with seven, including one for lead actor Sam Rockwell.I'm personally happy to see the savage political satire In the Loop getting due notice, especially its expletive-laden screenplay, since it'll likely go overlooked when it comes to Yank laurels (sad but true, although I'll be happy if it's not). Meanwhile, the multiple nods for An Education and Bright Star only parallel their warm reception Stateside and their likely contention in next year's Oscar race.
And after being quietly blown away by it at Fantastic Fest a few weeks back, I'm also glad to see Down Terrace get some love under the Raindance Award category. Enough of these awards, and maybe that puppy'll earn some distribution in our neck of the woods. (You listening, IFC?)
So Here's That 'Paranormal Activity' Ending You Didn't See
Filed under: Horror, Independent, Mystery & Suspense, Paramount
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I know, you might be bordering on a Paranormal Activity overdose at this point. It's been slowly rolling out for weeks, every person in America is talking about it, and it so totally scared your best friend, but certainly not you. Well, as you likely know, what is currently playing in theaters is not the original ending to Oren Peli's haunted house triumph. In fact, the new theatrical cut features an ending suggested by Steven Spielberg.
The original ending, as detailed here by our own William Goss, hasn't played in theaters for over a year and a half, but now that the film is king of the demonic world, someone has provided the service of actually putting the alternate ending online. This is actually just one of several endings, as explained in our interview with the director, but until the far-off DVD of the film is released, this is the only way you're going to see it. And I kind of have a feeling that may not be the case for long, so catch it while you can over at Horror Squad!
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